Delighted tobehere biography

Delighted also sets herself apart by using her own voice instead of lipsyncing as the vast majority of drag queen do. Delighted is Clemson University vpice major grad and holds the distinction as the only Clemson alum to come back and perform a solo show at the Brooks Center for the Performing Arts — her one woman edutainment cabaret DRAG But having lipsynced exclusively for more than half of her career, Delighted was quick to knock anyone who says lipsyncing is easy, especially bravura lipsyncing.

My sisters that can deserve every dollar that is rained on them for doing so too. Delighted and her sisters in the industry have benefited from the RuPaul phenomenon, allowing drag culture to spread from after-hours gay clubs and Pride festivals, to more mainstream venues like libraries, restaurants and comedy clubs. And when you take that wig off, you discover that that person was really you all along.

The first step for respect is education and acceptance. If we can respect each other, that can be a great start. For the month-long run of the show, the lobby has been transformed into the first-ever Drag Museum, celebrating the history of drag in Greenville. It's just nice for people to know that I am not the one with the accent.

Delighted tobehere biography

It's nice to live where there's Dukes Mayo. It's a comfort to know that there's AC and sweet tea. The Kinky Boots cast was so grateful to have you in the audience during this last weekend! As a drag performer with some roots in theatre—I know you just closed a run of The Legend of Georgia McBride at the Warehouse Theatre Greenville, SC —what was it delighted tobehere biography to see audiences embracing these stories?

Photo by Delighted Tobehere. THEY were grateful? I am the one who was grateful! Incredible talent sharing a valuable and timely story. That's a major difference. Laughter breaks down walls, but what is most important is the message you send across the rubble while the walls are down. The Upstate is better off because of Market Theatre and the brave and inclusive work they're producing.

What do you find significant about theatres choosing shows such as Kinky Boots and Drag for their current season? Visibility matters. That's first and foremost. What's more interesting is how far in advance theatre's book their seasons. Producing Kinky Boots wasn't reactionary. It was visionary. It's leadership through the arts by simply holding a mirror to a community to show that the stories produced in theatres aren't about London or New York or Los Angeles, but rather Anderson, and Spartanburg, and Easley.

Reserve your tickets at markettheatre. Want to continue to be delighted? This article is a collaborative effort of the Market Theatre team. About Values. Our Sponsors. With that being said, at the end of the show I made my exit and broke down into tears. To cheers and applause I returned to the stage for curtain call, a sobbing mess.

Rarely do we have clean lines of emotion or story line in our lives. Did you have any hesitations about starting the production up again? This was the easiest yes in history. Since the show ended Miranda and I have become close friends. A consummate professional, she could tear up and stare into my soul without flinching, and since I primarily do one person shows, it took some time to become comfortable being that vulnerable.

Nobody in their right mind would pass up that opportunity again. During the first run I lived in NYC and I was returning to my hometown to play this wild and provocative show — which was thrilling. But back in December I moved to Greenville — my own wicked little town — and have been faced with navigating the shadows of a closeted past as an adult gay male.

So, in that, and under the guidance of the inimitable Andrew Scoville, Quinn Xavier Hernandez, and beside Miranda Barnett, the band, and the incredible creative team at The Warehouse Theatre, this show takes on a new life which should not be missed.