Sonno profondo banana yoshimoto biography

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Sonno profondo banana yoshimoto biography

Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! There are no reviews yet. L'opera raccoglie tre racconti precedentemente apparsi sulla rivista letteraria Kaien: Sonno profondoViaggiatori nella notte e Un'esperienza. Protagoniste di tutti e tre i racconti sono altrettante ragazze che vivono una vita sospesa tra il sonno e la veglia, tra la vita e la morte.

Accomunate da questa dimensione onirica, emergono facilmente i temi che caratterizzano l'esperienza narrativa della Yoshimoto: l'amore, il sesso, il suicidio, la famiglia, la malinconia e infine la morte percepita come elemento necessario. Learn more…. Recent downloads:. Account Public profile Downloaded files My donations. Report file quality.

Global file ID in Libgen. Repository ID for the 'fiction' repository in Libgen. Corresponds to the 'thousands folder' torrents. Downloads 9 Comments — Lists — Stats — Technical details. This story is about closure and moving on to a new phase in life. The third, and final story, Asleep, for which to book is named, is very thought provoking.

Three stories that tell of young women who are waiting. They wait for whatever they believe will make everything all right in their worlds. Sometimes sleep helps them wait. The various states of slumber are both mysterious and magical. Each character looks for a way to remain calm and find their peace while dealing with guilt, ghosts and loss.

They are at home in the world of visions and dreams. They come to learn the unique qualities of friendships with other women, discovering this as a necessary part of a whole. They guide one another to determine what sacrifices, if any, a person might make to find a way forward. The writing is both exhilarating and tranquil. At times crystal clear, at times indecisive but always persuasive.

They wait, sleep and evolve. Stories that ask the reader to take the time out of time, to look back, reflect on what was, and realize what may be, all the while painting a gorgeous picture of their minds. Listen to what the characters have to say to themselves in the silence - asleep or awake. I felt sure that every time I saw the green of the trees in my garden awash in light from the street, I'd be struck by a sudden flicker of remembrance—the tail of that soft melody—and I'd chase along behind it, as if sniffing my way forward in pursuit of a pleasant scent.

Whenever I am in a reading slump, or simply unsure of what to read next, I find myself turning to Yoshimoto. Having read 10 of her works, I have grown familiar with her style, themes, and tone. I can see why some may find her stories uneventful or frustratingly dreamy, but I find her distinctive yet simple prose and her naive characters to be reassuring.

Asleep, alongside Kitchen, is probably one of my favourites by her. This collection contains three stories, each one centred on a young woman navigating the death of a loved one. Yoshimoto's characters seem to exist in a liminal space between wakefulness and sleep, their grief, sadness, and melancholia tinge the way they view and interact with the rest of the world.

While these narratives explore death and loss, they are marked by a light and peaceful tone. I was captivated by the protagonist's winning voices and the Yoshimoto-esque way they perceive themselves and those around them. The former is narrated by Shibami, a young woman who is grieving the recent death of her brother. The brother was involved in a love triangle of sonno profondo bananas yoshimoto biography, and we see how each woman has been affected by his death.

The latter story too seems to revolve around a love triangle in which two sonno profondo bananas yoshimoto biography vie for the attention of the same man. We soon realise that the bond between these women runs much deeper. When one of them dies the other seeks to understand the true nature of her feelings for her. Yoshimoto's meditations on love and death struck me both for their simplicity and their originality.

She maintains this perfect balance between realism and surrealism, which results in a fittingly dreamy reading experience. I was lulled by the gentle pacing of her stories. Her storytelling strikes me as particularly suited to the summer season. If you are a fan of Yoshimoto I would definitely recommend this. La pecera de Raquel.

El primer relato pssss, lo cierra de golpe, aburrido pero se deja leer. I don't really know what to say about Asleep. It was my first Banana Yoshimoto book and while I didn't dislike it, I didn't necesarily find anything in particular to like about it. It was weird in that way that Japanese literature is usually weird, and usually I'm okay with that.

Asleep consists of three short stories or maybe novellas? Normally, I'm okay with the ambiguous ending that Japanese authors like so much, but having three stories back-to-back in the same book with little to no conclusions got on my nerves, I guess. However, I would still say that if you don't mind ambiguous endings and have a thing for Asian literature, then go for it.

What distinguish Japanese writers from other countries'? That lingering emptiness in your heart once the book reaches its final page. And Asleep is one of them. My encounter with Banana Yoshimoto's work happened years ago; when I found out my lecturer was the book translator-editor. Well, not Asleep but Kitchen ; which also bring Yoshimoto's name to international reader.

In my mind, they were all vague, metaphoric, surreal, and basically cliff-hangers. But no, not Yoshimoto. Surreal, yes, but in a different way from Murakami. Like this book, which talks about 3 women with different sleeping problems. The first one sleepwalks; second one has weird dreams; while the third one gradually sleeps longer until it almost reach days.

And yes, those problems are connected to their subconscious minds. It's related to a death lover, unrequited love; or affairs. These women don't seem troubled by this fact, or maybe, the guilt are deeply buried in their mind. Yoshimoto writes the stories through first person narrative, a technique that brings the readers closer to characters. Well, at least that worked on me.

I literally couldn't let that book go, because it was just so captivating. Oh, and her narrative language which is basically simple and straightforward, suits these type of stories very well. You don't have to pursue complicated language to bring the best reaction out of readers. Keep it simple, but straight to the heart. Nella mia coscienza che svaniva, ne ebbi la certezza.

Il sonno assorbiva la mia forza vitale, soffocandomi dolcemente, come una coltre di ovatta. Black out.