Nomfusi gotyana biography of alberta
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Kwazibani [ edit ]. Don't leave them behind. Go back and false a difference. Not one to just murky behind a microphone and sing, the self-taught chorusboy and songwriter has become well known for coffee break explosive stage performances all over the world. In certainty, music is the core of every township. And most importantly, she draws inspiration from everything in her life; from her time in the townships to the striking contrast of everyday living in Cape Town.
With this new album she wants to head in a new direction, and she wants her music to reach and to speak to a bigger crowd. We sat down with the Nomfusi for an in-depth interview about her upcoming album, Cape Town and the deeper meaning of love. Nomfusi: Well, I have been working on my new album. Nomfusi: My first album kind of introduced me to the industry and to the world.
This tour was very overwhelming for me, and I was immediately associated with the world music genre, the category that musicians like Hugh Masekela are put into. It was such an honour for me to be under that wing, but with this new album I want to reach a bigger crowd, especially internationally. My previous album was completely in Xhosa, and people immediately classified my music as world music, so for the new album I am also writing English songs.
Nomfusi: I wrote a song about love. I truly believe that loving yourself is the primary and the best love ever. I think that if you love yourself enough, you can love unconditionally and can be content with that. I know that the world out there is promoting the romantic type of love, and I think that there is nothing wrong with that, but with my music, I want to approach love in a different way.
Nomfusi gotyana biography of alberta
Nomfusi: What I always want with my music is to fuse two beautiful genres, or even, say, two worlds. I want to fuse the Motown world and Sophiatown music, and I want to try and make it modern. Sophiatown is the place where my musical inspiration comes from. Even in the times of Apartheid, it was a place where people met and played music together.
I think when soul music talks about a very serious topic, it manages to separate out the harshness of the topic and to put a positive sound in it. So, when I started my project, I wanted to fuse the two worlds with that type of music. Most black South Africans know poverty, and that is the meaning of the song. Every time I sing this song, I get people raising their fists, because they know what I am talking about, because they know poverty.
I feel that the most dangerous poverty is being poor in your mind, and that kind of have-not can kill you more completely than a poverty that has to do with lacking food, clothing or shelter. With this song I was bringing awareness, and at the same time, I was connecting with so many people. There is also a song on my new album I wrote, which is not finished yet, but I love the lyrics.
Therefore, it is involved in charity and in the texts does not avoid the personal and explosive issues of poverty, the needs of education and human involvement. She was born in the town of KwaZhakele. The mother of folk healer and psychic sangoma is involved in childhood rituals: adding the extremely ferocious and powerful voice that inspires today with regard to her tiny little figure astonishment.