Yolanda lopez artist biography

OCLC Mission Local. Retrieved September 4, Los Angeles Times. Retrieved September 8, The New York Times. ISSN Retrieved September 19, Shaping SF. Retrieved April 21, UCSB Library. August 19, Retrieved March 9, Woman's Art Journal. JSTOR State Strike on 50th Anniversary". Retrieved June 10, Retrieved September 9, Retrieved September 5, June 24, Women Artists Multi-Cultural Visions.

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Carmen December Princeton University Press. December 3, Yolanda Margaret Search Query Show Search. Support KPBS. Watch Live. Public Matters. Show Search Search Query. Give Now. Play Live Radio. Next Up:. Available On Air Stations. Full Schedule. All Streams. This story was published more than 3 years ago. Facebook WhatsApp Email. Here are their words: Advertisement.

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Yolanda lopez artist biography

Since then, an army of empowered Chicanas have reclaimed so much more, and throughout her life, Yolanda had been there as a gentle but persistent guiding and supportive force for us. She was passionate about access, about art and culture belonging to and with the people. So in her absence, we forge on, running shoes on our feet and serpents in hand, to continue reclaiming it all.

I remember laughing a lot! Within the early male-dominated Chicano movement of the s and s, she created space for Chicanas. Her images, especially those of women, helped to blaze a trail allowing for the works of Chicana artists, writers, and activists within the movimiento. Her feminist works directly challenged art produced by her male counterparts.

Male artists often featured portraits of icons from the Mexican revolution, such as Emiliano Zapata and Pancho Villa. Through her paintings and prints, she transformed and reinterpreted images like the Virgin of Guadalupe, a Mexican colonial representation of the Virgin Mary who is revered as the patroness of the Americas. She also intervened with racist stereotypes like the traditional figure with a sombrero sleeping against a cactus.

She even created a film on the topic of Mexican ethnic stereotypes. She defied stereotypes. In the s, she depicted women as active in a culture that often expected them to be passive. In her work "Portrait of the Artist as the Virgin of Guadalupe" from her Guadalupe series, she wears running shoes. Learn more. She participated in student movements of the late s, particularly the Third World Liberation Front Strike at San Francisco State University, which was essential in establishing an ethnic studies department at the university.

She also fought for the defense of Los Siete de la Raza, a group of seven young Latinos from the Mission District of San Francisco accused of killing a police officer in and later acquitted. Her work often incorporates appropriation, the act of borrowing known ideas or images and transforming them in form or context to interrogate their presumed meaning.