Mirka knaster biography of albert einstein

All of our senses and body parts can participate. Even the most intimate physical activities can serve religious goals. Perhaps most important, but least regarded, is the mouth. It appears harmless enough. Boneless, the lips and tongue are soft; yet, they can be razor-sharp. Meditation is for all the time—now, always, everywhere—not just to enjoy a stay in the forest on retreat.

Relationship with Zionism. Religious and philosophical views. Main article: Religious and philosophical views of Albert Einstein. Thermodynamic fluctuations and statistical physics. Main articles: Statistical mechanicsthermal fluctuationsand statistical physics. Theory of critical opalescence. Main article: Critical opalescence. Main article: History of special relativity.

General relativity and the equivalence principle. Main article: History of general relativity. See also: Theory of relativity and Einstein field equations. Hole argument and Entwurf theory. Main article: Physical cosmology. Energy momentum pseudotensor. Main article: Stress—energy—momentum pseudotensor. Einstein—Cartan theory. Main article: Einstein—Cartan theory.

Main article: Einstein—Infeld—Hoffmann equations. Main article: Old quantum theory. Photons and energy quanta. Quantized atomic vibrations. Main article: Einstein solid. Bose—Einstein statistics.

Mirka knaster biography of albert einstein

Main article: Bose—Einstein statistics. Wave—particle duality. Einstein's objections to quantum mechanics. Main article: Bohr—Einstein debates. Einstein—Podolsky—Rosen paradox. Main article: EPR paradox. Main article: Classical unified field theories. Main article: Einstein's unsuccessful investigations. Collaboration with other scientists. Einstein—de Haas experiment.

Main article: Einstein—de Haas effect. Main article: Albert Einstein in popular culture. Main article: List of awards and honors received by Albert Einstein. Further information: List of scientific publications by Albert Einstein. Einstein, Albert [Completed 13 December and manuscript received 16 December ]. Written at Zurich, Switzerland. Paul Karl Ludwig Drude ed.

Annalen der Physik. Vierte Folge in German. Bibcode : AnP Einstein, Albert a [Completed 17 March and submitted 18 March ]. Written at Berne, Switzerland. Einstein, Albert b [Completed 30 April ]. Berne, Switzerland: Wyss Buchdruckerei published 20 July Einstein, Albert c [Manuscript received: 11 May ]. Einstein, Albert d [Manuscript received 30 June ].

Annalen der Physik Submitted manuscript. Einstein, Albert e [Manuscript received 27 September ]. Einstein, Albert [Completed 25 November ]. Sitzungsberichte in German. Einstein, Albert [Issued 29 June ]. Sitzungsberichte Bibcode : SPAW Einstein, Albert a. Einstein, Albert b. Physikalische Zeitschrift in German. Bibcode : PhyZ Einstein, Albert 31 January Retrieved 14 November Einstein, Albert [First publishedin English ].

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Bibcode : SciAm. Ideas and Opinions. New York: Crown Publishers. New York: Three Rivers Press. Munich: Nymphenburger Verlagshandlung. Stachel, John ; Martin J. Klein; A. Kox; Michel Janssen; R. Schulmann; Diana Komos Buchwald; et al. The Collected Papers of Albert Einstein. Princeton University Press. Further information about the volumes published so far can be found on the webpages of the Einstein Papers Project [ ] and on the Princeton University Press Einstein Page.

Einstein, Albert; et al. The New York Times. Melville, New York. Archived from the original on 17 December Retrieved 25 May Einstein, Albert May Sweezy, Paul; Huberman, Leo eds. Monthly Review. Reprise ". New York: Monthly Review Foundation. Archived from the original on 11 January Retrieved 16 January — via MonthlyReview. Einstein, Albert September Introduction by Bharatan Kumarappa.

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She has chosen the cream of her culture and has suppressed it. She has even turned upon her most glorious citizen, Albert Einstein, who is the supreme example of the selfless intellectual The man, who, beyond all others, approximates a citizen of the world, is without a home. How proud we must be to offer him temporary shelter. He was quoted as saying that improving the design and changing the types of gases used might allow the design's efficiency to be quadrupled.

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Marcel Grossmann gewidmet Dedicated to my friend, Dr. Marcel Grossmann ". Clegg, Brian ed. Albert Einstein, in Second Physics: The 50 most fundamental concepts in physics, each explained in half a minute. London: Ivy Press. Einstein Online in German and English. Archived from the original on 21 August Archived PDF from the original on 9 September Retrieved 4 August Retrieved 21 December By an application of the theory of relativity to the taste of readers, today in Germany I am called a German man of science, and in England I am represented as a Swiss Jew.

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EMBO Reports. I majored in Romance languages and minored in English literature, immersing myself in other cultures through these subjects as well as anthropology, before traveling around the world. My graduate studies focused first on Latin America and later on Comparative Religion. I have roamed across continents that are fascinating in their unfamiliarity.

Each culture has left deep impressions. During my hippie years, when we made almost everything ourselves—from bread to suede jackets—I embroidered my shirts and jeans, knitted and crocheted gifts, did crewelwork, and used rug hooking to create wall hangings based on Mayan designs. It took several decades before I turned to textile art full time. I had unexpectedly remembered something my father told me about his father: he had a particular expertise of looking at a piece of cloth most likely woollen through a loupe to discern how it had been woven and, thus, how a loom should be set up to create a design.

I never met him, so there was no direct influence; he died of typhus just after World War I. You can read my post about this for Textile Society of America here. My creative process is another kind of journey into unknown territory. I compose in open-ended improvisation. The materials, physical sensations and thoughts guide me as I engage with colour, texture, line, pattern, shape, and space.

Curiosity leads to serendipity. The series evolved gradually and fortuitously. I was travelling to South Korea annually for a few years as part of a textile tour I helped to originate. There, I came across the strips you see in the photos. My grasp of Hangeul Korean was not good enough to ask and then understand a response. Maybe they were somehow left over from the distinctive large sheets that the papermaker, Master Jang, produces You can see how he works here.

Those pieces, though exquisite, were far too big to fit in my suitcase without damaging them, but the strips were easy to roll up and bring home. What materials were used in the creation of the piece? How did you select them? Where did you source them? I sifted through several piles until I decided which most appealed to me. But I wanted those strips.

No explanation was necessary. At some point, I would know. Working on Journeys into Unknown Territory did not call for any special equipment, just needles with variously-sized eyes and a pair of small scissors or snippers. And, of course, I used a variety of materials to stitch with. I would set it down, come back to it later, the next day, or several days afterwards, and carefully add more marks to the paper.

I was concerned about making holes, even with the thinnest needle, but that was unavoidable. With fabric, needle holes can be closed up with moisture and an iron or a tumble in the dryer, but not so with paper. Also, though hanji is highly durable in a mirka knaster biography of albert einstein, I saw an example that was 1, years oldit was far too risky to place it in a hoop, so I held it gingerly to avoid causing tears, cracks, or broken-off bits.

Still, I just kept going. After I finished my first strip, I realized that the naturally occurring contours of colour in the handmade paper reminded me of shapes in landscapes. As time permitted, I began to concentrate on another strip. And so on, each one emerging entirely sui generis, with seed stitches, French knots, backstitching, couching, cross stitching, satin stitch, etc.

Along with floss, I incorporated perle cotton, yarn, and raffia, all in natural colours compatible with the organic hanji. Working quietly alone, I very much appreciated and enjoyed the meditative nature of the process. Instead of pushing fabric through a sewing machine, I felt a pleasant congruence between hand stitching and handmade paper.

I wanted more! I also enjoyed participating in online readings. Post Your Reply. I liked this. Truly reflected some of my feelings of this year. I especially liked the video of art depicting the last year. I truly recognized myself in that. Learning even more deeply about holding great suffering and trials in and with greater LOVE. After a slow start, I became very productive, completing projects I had started previously.

Since I write historical fiction, I was able to retreat into "the good old days. Meeting with other writers online helped make one day different from the next. It was also a year if immersing back into the performative Storytelling world with more performances and attendance at virtual events than in the previous 5 years. Though truth, in guts and starts.

It was also a year of creative connections and a few profound aha moments. A new project in the works melding the philosophy of the art of Kintsugi with Narrative Therapy Practices; I am so ignited and enthused to share as it continues to coalesce. Post Comment.