Fcb caddell biography sample

Arum Lilies. A Still Life of Anemones. At the Mirror, Interior - The Orange Blind, c. A Lady in Black and Gold. Cadell was a left-handed painter. While a student, the President of the Royal Scottish Academy tried to stop him painting with his left hand because "No artist ever became great who did so. A fellow student asked Cadell how he had known that Michelangelo was left-handed.

Cadell confessed "I didn't know but nor did the president. Only inbetween the death of his mother and that of his father who was terminally illdid he specifically seek a one-man-show, which he achieved at Doig, Wilson and Wheatley's gallery at 90 George Street in Edinburgh. Thirty paintings were sold, including four to his old schoolfriend, Patrick Ford, who became a major patron.

An inheritance following his father's death allowed him to buy a studio at George Street in Edinburgh. His new work did not sell well and he took "off", spending almost the whole year painting in Venice. The exhibition of the results in sold poorly, only 3 oils and 3 watercolours, greatly discouraging Cadell's trust in the dealers. From until he sold only privately.

Fcb caddell biography sample

However, Reid continued to buy a high proportion of his work. Cadell spent much of his adult life in Scotland and had little direct contact with many of the new ideas that were being developed abroad. He therefore tended to use subjects and environments that were close at hand — landscapes, fashionable Edinburgh New Town house interiors, still life and figures in both oil and watercolour.

He enjoyed the landscape of Iona enormously, which he first visited in and features prominently in his work. Cadell decorated his new premises in a bold colour scheme, influenced by the fashionable Art Deco style. From about until at least Cadell visited the island of Iona virtually every summer, where he produced luminous seascapes and landscapes.

Iona had particular attractions for the artist; the ever-changing weather, azure seas and pristine beaches were the perfect subject for the simple lyrical landscapes, which enjoyed commercial success. Infor example, Cadell sold twenty-two Iona pictures and over thirty in and Edinburgh: National Galleries of Scotland. Retrieved 24 October Cornwell, Tim 24 October The Scotsman.

Portland Gallery.