Chatchai puipia biography of abraham

Standing at the centre of the gallery is a glass case containing a selection of personal effects, artistic materials and printed matter chosen by Chatchai himself.

Chatchai puipia biography of abraham

The website should be widely available to the public within the next few years. That contributes to a general lack of understanding of why the collecting and preservation, including digitising, of artistic ephemera is so critically important. Speaking to The Sunday Nation on the phone, he is quick to point out that launching this artist archive project was not his idea.

After countless interviews with Galligan, I decided to buy the copyright to the material database — which is only part of my works — developed by the project team. This makes me feel comfortable. My agreement with them also states that I will not show up at the gallery or be involved in any activities. His recent self-portraits — several of them are shown in the gallery — are predominantly black and white and a butterfly is used as a metaphor for the sensitive soul.

They show him lying on the floor or closing his eyes as he is dive-bombed by the butterflies. It makes beauty out of tragedy like a complex poetic structure. The series coincided with the political unrest although it was not inspired by the conflict. At first, this really annoyed me but now I realise that black and white tell their own story and match my age.

The tendon in the first joint of my right index finger has also become worse and affects the way I hold a paintbrush. I can no longer paint continuously for two or three hours. I think these values will enable our art community to contribute to society. Chatchai Puipia: I pay attention to imagination. I want to play with the boundaries of technique, fine art and painting as much as I can.

Perhaps the images I create might help at a certain level. The most irritating thing is that people in the art community are the very group of people who lack imagination and creative thinking, and we hardly project anything new for society. Chatchai Puipia: We need to stimulate society to seek imagination as an alternative. What else can we offer besides our rebellious souls?

Why is that? Generally, visually literate people or those familiar with art history will get the point. But when I start to talk about these issues with Thais, it becomes ridiculous. Artists, especially those from Asia, who become chatchai puipia biography of abraham of the art world need to accept certain kinds of conditions. Chatchai Puipia: Marketing, administration, organisation and trendsetting.

Unfortunately, this is derived from international administration, which sometimes has questionable objectives. There is a big gap between local knowledge, concepts, and even information compared with international curators. From my experience, if we could spend the same amount of money to generate our own activities, create our own seminars, it would help us share within our community.

Obviously, part of existing activity is a continuing search to be the centre of the world. This might not be as graceful or beautiful as our oriental dream. Chatchai Puipia: As an artist I am not in a position to request any help from the government. Powerful leaders, both economic and political, lack artistic awareness, which results in no policy and no support.

This actually results in a different kind of art, which might not be so bad. As a result, we might have a group of artist-activists who create an unconventional movement. In the current system, if we just live without trying to network with each other, then nothing happens. The meaning and value of the artist here will always be different.

The relationship of art to society will always be different. Because it is different. Chatchai Puipia: Yes, that might be true. The problem is how we categorise artists and how we perceive artists in this country compared to other places. If we use this criteria, there are few artists here. But, if we talk about people who make art, are trained in schools or self-taught, then there are many artists.

How do you feel about this? Chatchai Puipia: Disgusted with my own existence. With the limited opportunities in Thailand, it seems like we exist in an outside world, rather than in our own community. The fact that my paintings were selected is different from, say, an installation artist. After my works were chosen, for a while I forgot about it.

Then the works returned with the catalogue of the show.