Bong joon-ho filmography

One victim's loving family does what it can to rescue her from its clutches. A mother desperately searches for the killer who framed her son for a girl's horrific murder. In a future where a failed climate change experiment has killed all life except for the survivors who boarded the Snowpiercer a train that travels around the globea new class system emerges.

A young girl risks everything to prevent a powerful, multinational company from kidnapping her best friend - a fascinating beast named Okja. Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan. The Host. A monster emerges from Seoul's Han River and begins attacking people.

One victim's loving family does what it can to rescue her from its clutches. A triptych examines the nature of one unforgettable city as it's shaped by the disparate people who live, work and even run amok inside one enormous, constantly evolving, densely populated megalopolis, the ravishing and inimitable Tokyo. A mother desperately searches for the killer who framed her son for a girl's horrific murder.

The film, which charts a desperate man's turn to violent crime over the space of five years, was commissioned by the Jeonju International Film Festivaltogether with works by Japanese director Sogo Ishii and Hong Kong-based Yu Lik-wai. Twentidentitymeanwhile, is a part anthology film made by alumni of the Korean Academy of Film Arts, on the occasion of the school's 20th anniversary.

The Host marked a step up in scale in Bong's career, and indeed for the Korean film industry as a whole. Featuring many of the actors who had appeared in his previous films, the film was the focus of strong audience interest even before it started shooting, but there were many doubts raised about whether a Korean production could rise to the challenge of creating a full-fledged, believable digital monster.

After rushing to meet deadlines, the film received a rapturous premiere in the Directors' Fortnight section of the Cannes Film Festival. Although local audiences were slightly more critical of The Host than attendees at Cannes, the film was nonetheless a major summer hit. With theater owners calling for more and more prints, the film enjoyed South Korea's widest release ever on over a third of the nation's 1, screens and set a new box office record with 13 million tickets sold.

The Host was quickly sold around the world, and US studio Universal bought the remake rights. Bong's segment is about a man who has lived for a decade as a Hikikomori —the term used in Japan for people unable to adjust to society who do not leave their homes—and what happens when he falls in love with a pizza delivery girl. Bong's fourth feature film Mother is the story of a doting mother who struggles to save her disabled son from a murder accusation.

The film appeared on many film critics' "best-of" lists of InBong contributed to 3. The films were made by 21 filmmakers in response to the devastating earthquake and tsunami which hit the Tohoku region of Japan on March 11, The film screened on the first anniversary of the disaster. That same year, Bong served as a jury member for the 27th Sundance Film Festival.

Bong's first English-language film, Snowpiercerwas released in It is based on the graphic novel Le Transperceneige by Jacques Lob and Jean-Marc Rochette[ 30 ] [ 31 ] [ 32 ] [ 33 ] [ 34 ] and set largely on a futuristic train where those on board are separated according to their social status. The site's critical consensus reads: " Snowpiercer offers an audaciously ambitious action spectacular for filmgoers numb to effects-driven blockbusters.

The film also holds the domestic record for the fastest movie domestic and foreign to reach four million admissions, which it achieved in its fifth day after the premiere, and another record for the highest bong joon-ho filmography figure from Friday to Sunday for a Korean film, with 2. InBong's next film, Okjawas announced. The site's critical consensus reads: " Okja sees Bong Joon Ho continuing to create defiantly eclectic entertainment — and still hitting more than enough of his narrative targets in the midst of a tricky tonal juggling act.

Scott wrote: " Okja is a miracle of imagination and technique, and Okja insists, with abundant mischief and absolute sincerity, that she possesses a soul. InBong directed the South Korean film Parasite[ 59 ] a black comedy thriller about a poor family that infiltrates a wealthy household by gaining employment as unrelated staff members.

The film premiered at the Cannes Film Festivalwhere it won the Palme d'Orbecoming the first Korean film to receive the award and the first film to do so with a unanimous vote since Blue Is the Warmest Colour at the Cannes Film Festival. The site's critical consensus reads: "An urgent, brilliantly layered look at timely social themes, Parasite finds writer-director Bong Joon Ho in near-total command of his bong joon-ho filmography. He wanted to express the anxiety, sadness, and deep fear that came from reality of life via his film.

Throughout the — film awards seasonBong and the film received numerous accolades. This was also the first time a non-English language film won the Academy Award [ 83 ] [ 2 ] for Best Picture [ 84 ] and the first time Asian writers won Academy Awards for screenwriting. In Januaryan HBO six-hour limited series based on the film, with Bong and Adam McKay serving as executive producers, currently in early development, was announced as an upcoming project.

In FebruaryBong said that he had been working on two scripts after completing Parasiteone in English and one in Korean, and that he had finished one of the two. He said that the Korean film "is located in Seoul and has unique elements of horror and action" and that the English film is "a drama film based on a true event that happened in Bong is preparing for a Korean animation as one of his next films.

This animation was conceived since and said it is a Korean project that is a drama genre involving deep-sea creatures and humans. In Januaryit was revealed Bong's next film would be Mickey 17an adaptation of Edward Ashton's novel Mickey7. Bong was given an advance manuscript of the novel in late The film, which was written, co-produced and directed by Bong, bong joon-ho filmography be distributed by Warner Bros.

Pictures and will star Robert PattinsonBong's first collaborations with both. Studios, Leavesden. Production commenced on August 1, As a child, Bong watched Black Orpheus on Korean television, which made a big impact on him. While he was in film school, Bong watched the Qatsi trilogy — Bong has commented that he doesn't like the term 'Directing Actors' as he feels that "acting is the actor's job and it's something I don't feel like I can direct".

The most defining trademark of Bong's films are their sudden tone shifts sometimes within scenes between drama, darkness, and black or slapstick humor. In an interview promoting Snowpierceractor Ed Harris described Bong's shooting process as "cutting while filming". Harris also said that "if I was doing a scene and it was a couple of pages long, he would never shoot the whole thing one way.

He'd shoot a few lines, like the first beat of the scene, and then he would turn the camera around and get my part for that part of the scene. Then he would change the angle a little bit". He additionally noted that "the editor was sitting right there on the stage, right below the set with a big tent, actually getting the footage as they were filming.

Henshall continued by saying: "He only shoots what he's going to use in the edit. Doesn't do any coverage. I've never worked like that before. You're trimming the fat before you've shot it, which is very brave, because when you get into the edit, if something's missing you haven't got it. He's been planning it for four years that meticulously.

InBong's list of 50 inspirational films was published on the French streaming platform LaCinetek. Bong married screenwriter Jung Sun-young in They have a son together, Bong Hyo-min, who is also a filmmaker. Bong was a member of the now-defunct New Progressive Party. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. Redirected from Bong Joon-Ho. South Korean filmmaker born In this Korean namethe family name is Bong. DaeguSouth Korea. Jung Sun-young. Early life [ edit ]. Career [ edit ]. Early directing work [ edit ]. International success [ edit ].

American co-productions [ edit ]. Parasite [ edit ]. Upcoming projects [ edit ]. Inspirations and style [ edit ]. Personal life [ edit ]. Filmography [ edit ]. Main article: Bong Joon-ho filmography. Recurring collaborators [ edit ]. Barking Dogs Never Bite. Memories of Murder. The Host. Mickey Untitled Animated Film. Awards and nominations [ edit ].

Main article: List of awards and nominations received by Bong Joon-ho. See also [ edit ]. References [ edit ].

Bong joon-ho filmography

International Film Festival Rotterdam. Archived from the original on October 30, Archived from the original on December 22, Torino Film Festival. Cannes Film Festival. Archived from the original on September 20, Nara International Film Festival. Archived from the original on December 3, Radio Times. Archived from the original on February 14, Archived from the original on October 25, Korean Movie Database.

The Films of Bong Joon Ho. Rutgers University Press. ISBN Fajr International Film Festival. Archived from the original on September 26, Beall Production. Rotten Tomatoes. Fandango Media.