Alban grosdidier biography of williams

This body of work attempts to remind public officials that they are elected to serve the people that vote for them. Not only is he able to flex his range conceptually, but he also does so with the mediums he uses to get his message across. He experiments with different types of artistic forms, but his primary choice is photography and graphic design and through this he has found a medium to excel at.

GALO: Your Drowning collection shows a great deal of sentiment, yet with the exception of one photograph, the subjects seem to be frozen in a moment of serenity. What is this collection truly reflective of? Alban Grosdidier: Actually, I think serenity is also a feeling, a sentiment. I wanted to show the diversity of these feelings people can have responding to a certain situation, their living in a big city.

Photo Credit: Alban Grosdidier. GALO: On your Web site you share that Drowning is a project that reflects the feeling of submersion that you can have when living in a big city. Why the correlation? I think those situations can be described as direct consequences of city life. He is genuinely interested in the social reflective side of graphic design whilst using photography as a mean to express his inner feelings.

The first series of portraits was presented on the Seine River in Paris in Januarystimulating a bizarre mix of serenity and suffocation patronizing our every day need to isolate and frustrate at the same time. Some of the photos were harmonically placed along the street forcing passing pedestrians to pause for a few seconds while others, mixed with the city, were gasping for air.

Alban shared some thoughts about his project Drowning with Yatzer.

Alban grosdidier biography of williams

The city could become my game field so I decided to work with this idea. This time the setting became even more interesting as torrential rain storms naturally evolved to form an amplified extension of the exhibition itself. The result was a number of reshaped and often distorted photographs washed by the rain revealing an even more playful and artistic side of the initial concept.

Fragments of torn photographs now dominated the whole area around the exhibition providing the feeling of interaction and participation. It was a way for me to artistically continue what we call the "Russian dolls effect. Work history. Mar London, United Kingdom Freelance. Freelance documentary and portrait photographer, part of French news photography collective Hans Lucas.

Graphic Designer. Art direction and graphic design for UK and global campaigns, and implementation for print and digital media. Production of educational material about Oxfam's campaigns and operations across the globe. Continual collaboration with Press, Fundraising and Retail departments. Sep - Jun Paris, France.